CodalSearch this book — or all of Codal…⌘K
nydus/As I Lay DyingPublic

After a woman in rural Mississippi dies, her husband and five children begin an arduous journey to convey her coffin back to her hometown.

Page 111 of 218
Table of Contents

Tull

under this same bridge for a long time, yet when them logs would come spewing up outen it, you were not surprised, like they was a part of water, of the waiting and the threat.

It was like when we was across, up out of the water again and the hard earth under us, that I was surprised. It was like we hadn’t expected the bridge to end on the other bank, on something tame like the hard earth again that we had tromped on before this time and knowed well. Like it couldn’t be me here, because I’d have had better sense than to done what I just done. And when I looked back and saw the other bank and saw my mule standing there where I used to be and knew that I’d have to get back there some way, I knew it couldn’t be, because I just couldn’t think of anything that could make me cross that bridge ever even once. Yet here I was, and the fellow that could make himself cross it twice, couldn’t be me, not even if Cora told him to.

It was that boy. I said “Here; you better take a holt of my hand,” and he waited and held to me. I be durn if it wasn’t like he come back and got me; like he was saying They won’t nothing hurt you. Like he was saying about a fine place he knowed where Christmas come twice with Thanksgiving and lasts on through the winter and the spring and the summer, and if I just stayed with him I’d be all right too.

When I looked back at my mule it was like he was one of these here spyglasses and I could look at him standing there and see all the broad land and my house sweated outen it like it was the more the sweat, the broader the land; the more the sweat, the tighter the house because it would take a tight house for Cora, to hold Cora like a jar of milk in the spring: you’ve got to have a tight jar or you’ll need a powerful spring, so if you have a big spring, why then you have the incentive to have tight, well-made jars, because it is your milk, sour or not, because you would rather have milk that will sour than to have milk that won’t, because you are a man.

111