When we pass the wagon pa is standing beside it, scrubbing at the two mud smears with a handful of leaves. Against the jungle Jewel’s horse looks like a patchwork quilt hung on a line.
Cash has not moved. We stand above him, holding the plane, the saw, the hammer, the square, the rule, the chalk-line, while Dewey Dell squats and lifts Cash’s head. “Cash,” she says; “Cash.”
He opens his eyes, staring profoundly up at our inverted faces.
“If ever was such a misfortunate man,” pa says.
“Look, Cash,” we say, holding the tools up so he can see; “what else did you have?”
He tries to speak, rolling his head, shutting his eyes.
“Cash,” we say; “Cash.”
It is to vomit he is turning his head. Dewey Dell wipes his mouth on the wet hem of her dress; then he can speak.
“It’s his saw-set,” Jewel says. “The new one he bought when he bought the rule.” He moves, turning away. Vernon looks up after him, still squatting. Then he rises and follows Jewel down to the water.
“If ever was such a misfortunate man,” pa says. He looms tall above us as we squat; he looks like a figure carved clumsily from tough wood by a drunken caricaturist. “It’s a trial,” he says. “But I don’t begrudge her it. No man can say I begrudge her it.” Dewey Dell has laid Cash’s head back on the folded coat, twisting his head a little to avoid the vomit. Beside him his tools lie. “A fellow might call it lucky it was the same leg he broke when he fell offen that church,” pa says. “But I don’t begrudge her it.”
Jewel and Vernon are in the river again. From here they do not appear to violate the surface at all; it is as though it had severed them both at a