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A lyricist moves to New York City aspiring to make it big on Tin Pan Alley.

Page 67 of 195
Table of Contents

Act I

Eileen
Hello!⁠ ⁠… Oh, no, not at all. What train?⁠ ⁠… You’re sure of that, are you? Nothing, only I thought you might be mistaken. Everybody makes mistakes, you know. Yes, I can imagine. It must have been terribly tiresome in Philadelphia all day.⁠ ⁠… What?⁠ ⁠… Oh, really? I thought you were leaving tomorrow.⁠ ⁠… What time tonight?⁠ ⁠… My, it must be important!⁠ ⁠… Then⁠—I won’t have a chance to say goodbye before you go.⁠ ⁠… Oh, no, don’t trouble yourself⁠—it’s quite all right.⁠ ⁠… Yes, I’m sure you are⁠ ⁠… No, I don’t mind a bit. I’m just sorry you have to spend the night on a train, that’s all.⁠ ⁠… Oh, perfectly!⁠ ⁠… Have a pleasant trip.
To say that the lady is sarcastic is putting it mildly.; It’s a good chance for Maxie to escape, and he leaps up. While Eileen is still talking he manages to get out⁠— “Goodbye, everybody! I’m due at the Orchard! Glad to have met you, Stevens,” etc. Paul follows him out with: “Now look! Don’t say anything to Fagan, because I don’t want him to know until⁠—” The voices die out. Fred , a bit embarrassed, is left alone with the two girls, while Eileen continues her phone talk.; Her tone indicates that this is the body blow.; But she doesn’t mean “pleasant trip.” She hangs up; a look flashes between her and Lucille.
Lucille
Coming back to the present.
Mr.Mr. Stevens, this is my sister, Miss Fletcher. Eileen⁠—Mr.Mr. Stevens.
She gives a broad wave of the hand, as if to say, “And if you want him, he’s yours.”
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