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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 107 of 259
Table of Contents

III

They retire in haste, waving their draperies over their heads, as if to shut out something that they dare not look upon, and close the door behind them.

We are, therefore, now left entirely alone in the room with the sleeping Orlando and the trumpeters. The trumpeters, ranging themselves side by side in order, blow one terrific blast:

“ The Truth! ”

at which Orlando woke.

He stretched himself. He rose. He stood upright in complete nakedness before us, and while the trumpets pealed Truth! Truth! Truth! we have no choice left but confess⁠—he was a woman.

The sound of the trumpets died away and Orlando stood stark naked. No human being, since the world began, has ever looked more ravishing. His form combined in one the strength of a man and a woman’s grace. As he stood there, the silver trumpets prolonged their note, as if reluctant to leave the lovely sight which their blast had called forth; and Chastity, Purity, and Modesty, inspired, no doubt, by Curiosity, peeped in at the door and threw a garment like a towel at the naked form which, unfortunately, fell short by several inches. Orlando looked himself up and down in a long looking-glass, without showing any signs of discomposure, and went, presumably, to his bath.

We may take advantage of this pause in the narrative to make certain statements. Orlando had become a woman⁠—there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to

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