same roses; looked at the garden and imagined the sleeping crocuses, the dormant dahlias; saw the frail nymphs gleaming white in the snow and the great yew hedges, thick as a house, black behind them; saw the orangeries and the giant medlars—all this she saw, and each sight and sound, rudely as we write it down, filled her heart with such a lust and balm of joy, that at length, tired out, she entered the Chapel and sank into the old red armchair in which her ancestors used to hear service. There she lit a cheroot (’twas a habit she had brought back from the East) and opened the Prayer Book.
It was a little book bound in velvet, stitched with gold, which had been held by Mary Queen of Scots on the scaffold, and the eye of faith could detect a brownish stain, said to be made of a drop of the Royal blood. But what pious thoughts it roused in Orlando, what evil passions it soothed asleep, who dare say, seeing that of all communions this with the deity is the most inscrutable? Novelist, poet, historian all falter with their hand on that door; nor does the believer himself enlighten us, for is he more ready to die than other people, or more eager to share his goods? Does he not keep as many maids and carriage horses as the rest? and yet with it all, holds a faith he says which should make goods a vanity and death desirable. In the Queen’s prayer book, along with the bloodstain, was also a lock of hair and a crumb of pastry; Orlando now added to these keepsakes a flake of tobacco, and so, reading and smoking, was moved by the humane jumble of them all—the hair, the pastry, the bloodstain, the tobacco—to such a mood of contemplation as gave her a reverent air suitable in the circumstances, though she had, it is said, no traffic with the usual God. Nothing, however, can be more arrogant, though nothing is commoner than to assume that of Gods there is only one, and of religions none but the speaker’s. Orlando, it seemed, had a faith of her own. With all the religious ardour in the world, she now reflected upon her sins and the imperfections that had crept into her spiritual state. The letter S , she reflected, is the serpent in the poet’s Eden. Do what she would there were still too many of these sinful