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A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 135 of 259
Table of Contents

IV

arguing with the gipsy (and in this new power of bearing an argument in mind and continuing it with someone who was not there to contradict she showed again the development of her soul), “you were wrong. This is better than Turkey. Hair, pastry, tobacco⁠—of what odds and ends are we compounded,” she said (thinking of Queen Mary’s prayer book). “What a phantasmagoria the mind is and meeting-place of dissemblables! At one moment we deplore our birth and state and aspire to an ascetic exaltation; the next we are overcome by the smell of some old garden path and weep to hear the thrushes sing.” And so bewildered as usual by the multitude of things which call for explanation and imprint their message without leaving any hint as to their meaning, she threw her cheroot out of the window and went to bed.

Next morning, in pursuance of these thoughts, she had out her pen and paper, and started afresh upon “ The Oak Tree ,” for to have ink and paper in plenty when one has made do with berries and margins is a delight not to be conceived. Thus she was now striking out a phrase in the depths of despair, now in the heights of ecstasy writing one in, when a shadow darkened the page. She hastily hid her manuscript.

As her window gave on to the most central of the courts, as she had given orders

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