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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 142 of 259
Table of Contents

IV

“Heaven be praised!” cried Orlando, still laughing. She heard the sound of chariot wheels driven at a furious pace down the courtyard. She heard them rattle along the road. Fainter and fainter the sound became. Now it faded away altogether.

“I am alone,” said Orlando, aloud since there was no one to hear.

That silence is more profound after noise still wants the confirmation of science. But that loneliness is more apparent directly after one has been made love to, many women would take their oath. As the sound of the Archduke’s chariot wheels died away, Orlando felt drawing further from her and further from her an Archduke (she did not mind that), a fortune (she did not mind that), a title (she did not mind that), the safety and circumstance of married life (she did not mind that), but life she heard going from her, and a lover. “Life and a lover,” she murmured; and going to her writing-table she dipped her pen in the ink and wrote:

“Life and a lover’⁠—a line which did not scan and made no sense with what went before⁠—something about the proper way of dipping sheep to avoid the scab. Reading it over she blushed and repeated,

“Life and a lover.” Then laying her pen aside she went into her bedroom, stood in front of her mirror, and arranged her pearls about her neck. Then since pearls do not show to advantage against a morning gown of sprigged cotton, she changed to a dove-grey taffeta; thence to one of peach bloom; thence to a wine-coloured brocade. Perhaps a dash of powder was needed, and if her hair were disposed⁠—so⁠—about her brow, it might become her. Then she slipped her feet into pointed slippers, and drew an emerald ring upon her finger. “Now,” she said when all was ready and lit the silver sconces on either side of the mirror. What woman

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