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A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 152 of 259
Table of Contents

IV

paw, they whine, they bark, they slobber, they have all sorts of ceremonies and artifices of their own, but the whole thing is of no avail, since speak they cannot. Such was her quarrel, she thought, setting the dog gently on to the floor, with the great people at Arlington House. They, too, wag their tails, bow, roll, jump, paw, and slobber, but they cannot talk. “All these months that I’ve been out in the world,” said Orlando, pitching one stocking across the room, “I’ve heard nothing but what Pippin might have said. I’m cold. I’m happy. I’m hungry. I’ve caught a mouse. I’ve buried a bone. Please kiss my nose.” And it was not enough.

How, in so short a time, she had passed from intoxication to disgust we will only seek to explain by supposing that this mysterious composition which we call society, is nothing absolutely good or bad in itself, but has a spirit in it, volatile but potent, which either makes you drunk when you think it, as Orlando thought it, delightful, or gives you a headache when you think it, as Orlando thought it, repulsive. That the faculty of speech has much to do with it either way, we take leave to doubt. Often a dumb hour is the most ravishing of all; brilliant wit can be tedious beyond description. But to the poets we leave it, and so on with our story.

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