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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 162 of 259
Table of Contents

IV

It was happy for Orlando, though at first disappointing, that this should be so, for she now began to live much in the company of men of genius. Nor were they so different from the rest of us as one might have supposed. Addison, Pope, Swift, proved, she found, to be fond of tea. They liked arbours. They collected little bits of coloured glass. They adored grottoes. Rank was not distasteful to them. Praise was delightful. They wore plum-coloured suits one day and grey another. Mr. Swift had a fine malacca cane. Mr. Addison scented his handkerchiefs. Mr. Pope suffered with his head. A piece of gossip did not come amiss. Nor were they without their jealousies. (We are jotting down a few reflections that came to Orlando higgledy-piggledy.) At first she was annoyed with herself for noticing such trifles, and kept a book in which to write down their memorable sayings, but the page remained empty. All the same, her spirits revived, and she took to tearing up her cards of invitation to great parties; kept her evenings free; began to look forward to Mr. Pope’s visit, to Mr. Addison’s, to Mr. Swift’s⁠—and so on and so on. If the reader will here refer to the Rape of the Lock , to the Spectator , to Gulliver’s Travels , he will understand precisely what these mysterious words may mean. Indeed, biographers and critics might save themselves all their labours if readers would only take this advice. For when we read:

Whether the Nymph shall break Diana’s Law, Or some frail China Jar receive a Flaw, Or stain her Honour, or her new Brocade, Forget her Pray’rs or miss a Masquerade, Or lose her Heart, or Necklace, at a Ball.

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