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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

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Table of Contents

VI

woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window⁠—all of which is, of course, the very stuff of life and the only possible subject for fiction. Surely Orlando must have done one of these things? Alas⁠—a thousand times, alas, Orlando did none of them. Must it then be admitted that Orlando was one of those monsters of iniquity who do not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love⁠—as the male novelists define it⁠—and who, after all, speak with greater authority?⁠—has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and⁠—But we all know what love is. Did Orlando do that? Truth compels us to say no, she did not. If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.

The only resource now left us is to look out of the window. There were sparrows; there were starlings; there were a number of doves, and one or two rooks, all occupied after their fashion. One finds a worm, another a snail. One flutters to a branch, another takes a little run on the turf. Then a servant crosses the courtyard, wearing a green baize apron. Presumably he is engaged on some intrigue with one of the maids in the pantry, but as no visible proof is offered us, in the courtyard, we can but hope for the best and leave it. Clouds pass, thin or thick, with some disturbance of the colour of the grass beneath. The sundial registers the hour in its usual cryptic way. One’s mind begins tossing up a question or two, idly, vainly, about this same life. Life, it sings, or croons rather, like a kettle on a hob, Life, life, what art thou? Light or darkness, the baize apron of the under footman or the shadow of the starling on the grass?

Let us go, then, exploring, this summer morning, when all are adoring the plum blossom and the bee. And humming and hawing, let us ask of

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