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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 225 of 259
Table of Contents

VI

“Ecstasy!” she cried. “Ecstasy! Where’s the post office?” she wondered. “For I must wire at once to Shel and tell him.⁠ ⁠…” And repeating “A toy boat on the Serpentine,” and “Ecstasy,” alternately, for the thoughts were interchangeable and meant exactly the same thing, she hurried towards Park Lane.

“A toy boat, a toy boat, a toy boat,” she repeated, thus enforcing upon herself the fact that it is not articles by Nick Greene or John Donne nor eight-hour bills nor covenant nor factory acts that matter; it’s something useless, sudden, violent; something that costs a life; red, purple, blue; a spurt; a splash; like those hyacinths (she was passing a fine bed of them); free from taint, dependence, soilure of humanity or care for one’s kind; something rash, ridiculous, like my hyacinth, husband I mean, Bonthrop: that’s what it is⁠—a toy boat on the Serpentine, ecstasy⁠—it’s ecstasy that matters. Thus she spoke aloud, waiting for the carriages to pass at Stanhope Gate, for the consequence of not living with one’s husband, except when the wind is sunk, is that one talks nonsense aloud in Park Lane. It would no doubt have been different had she lived all the year round with him as Queen Victoria recommended. As it was the thought of him would come upon her in a flash. She found it absolutely necessary to speak to him instantly. She did not care

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