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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 234 of 259
Table of Contents

VI

some seconds the light went on becoming brighter and brighter, and she saw everything more and more clearly and the clock ticked louder and louder until there was a terrific explosion right in her ear. Orlando leapt as if she had been violently struck on the head. Ten times she was struck. In fact it was ten o’clock in the morning. It was the eleventh of October. It was 1928. It was the present moment.

No one need wonder that Orlando started, pressed her hand to her heart, and turned pale. For what more terrifying revelation can there be than that it is the present moment? That we survive the shock at all is only possible because the past shelters us on one side and the future on another. But we have no time now for reflections; Orlando was terribly late already. She ran downstairs, she jumped into her motorcar, she pressed the self-starter and was off. Vast blue blocks of building rose into the air; the red cowls of chimneys were spotted irregularly across the sky; the road shone like silver-headed nails; omnibuses bore down upon her with sculptured white-faced drivers; she noticed sponges, birdcages, boxes of green American cloth. But she did not allow these sights to sink into her mind even the fraction of an inch as she crossed the narrow plank of the present, lest she should fall into the raging torrent beneath. “Why don’t you look where you’re going to?⁠ ⁠… Put your hand out, can’t you?”⁠—that was all she said sharply, as if the words were jerked out of her. For the streets were immensely crowded; people crossed without looking where they were going. People buzzed and hummed round the plate-glass windows within which one could see a glow of red, a blaze of yellow, as if they were bees, Orlando thought⁠—but her thought that they were bees was violently snipped off and she saw, regaining perspective with one flick of her eye, that they were bodies. “Why don’t you look where you’re going?” she snapped out.

At last, however, she drew up at Marshall & Snelgrove’s and went into the shop. Shade and scent enveloped her. The present fell from her like drops of scalding water. Light swayed up and down like thin stuffs

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