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nydus/OrlandoPublic

A young Elizabethan poet for whom success is elusive becomes a woman and embraces the spirit of the age.

Page 38 of 259
Table of Contents

I

cross. The Abbey appeared like the grey skeleton of a leaf. Everything suffered emaciation and transformation. As they approached the carnival, they heard a deep note like that struck on a tuning-fork which boomed louder and louder until it became an uproar. Every now and then a great shout followed a rocket into the air. Gradually they could discern little figures breaking off from the vast crowd and spinning hither and thither like gnats on the surface of a river. Above and around this brilliant circle like a bowl of darkness pressed the deep black of a winter’s night. And then into the darkness there began to rise with pauses, which kept the expectation alert and the mouth open, flowering rockets; crescents; serpents; a crown. At one moment the woods and distant hills showed green as on a summer’s day; the next all was winter and blackness again.

By this time Orlando and the Princess were close to the Royal enclosure and found their way barred by a great crowd of the common people, who were pressing as near to the silken rope as they dared. Loath to end their privacy and encounter the sharp eyes that were on the watch for them, the couple lingered there, shouldered by apprentices; tailors; fishwives; horse dealers; cony catchers; starving scholars; maidservants in their wimples; orange girls; ostlers; sober citizens; bawdy tapsters; and a crowd of little ragamuffins such as always haunt the outskirts of a crowd, screaming and scrambling among people’s feet⁠—all the riffraff of the London streets indeed was there, jesting and

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