in human interest. His friend saw in it also too much of the Celtic tendency to the mystical and allegorical, as distinguished from the factual and storial.
Upon learning this their decision, poor Hector fell once more into a state of great discouragement, not feeling in him the least power of adopting another way; there seemed to him but one mode, the way things came to him. And in this surely he was right—only might not things come, or be sent to him in some other way? His friend suggested that he might, changing the outward occurrences, and the description of the persons to whom they happened, in such fashion that there could be no identification of them, tell the very tale of how Annie and he came to know and love each other, taking especial care to muffle up to shapelessness, or at least featurelessness, the part his mother had taken in their story. This seeming to Hector a thing possible, he took courage, and set about it at once, gathering interest as he proceeded, and writing faster and faster as he grew in hope of success. At the same time it was not favorable to the result that he felt constantly behind him, the darkly lowering necessity that, urging him on, yet debilitated every motion of the generating spirit.