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A collection of George MacDonald’s fairy tales, short stories, and novellas.

Page 439 of 771
Table of Contents

The Cruel Painter

like to go to bed. So they got up and went home, and Karl forgot the lay-figure, leaving it in busy motionlessness all night before the easel. When Teufelsbürst saw it, he turned and fled with a cry that brought his daughter to his help. He rushed past her, able only to articulate:

“The vampire! The vampire! Painting!”

Far more courageous than he, because her conscience was more peaceful, Lilith passed on to the studio. She too recoiled a step or two when she saw the figure; but with the sight of the back of Karl, as she supposed it to be, came the longing to see the face that was on the other side. So she crept round and round by the wall, as far off as she could. The figure remained motionless. It was a strange kind of shock that she experienced when she saw the face, disgusting from its inanity. The absurdity next struck her; and with the absurdity flashed into her mind the conviction that this was not the doing of a vampire; for of all creatures under the moon, he could not be expected to be a humorist. A wild hope sprang up in her mind that Karl was not dead. Of this she soon resolved to make herself sure.

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