“The next day, not being able to read with comfort, I went wandering about the place, and at length began to fit the outside and inside of the house together. It was a large and rambling edifice, parts of it very old, parts comparatively modern. I first found my own window, which looked out of the back. Below this window, on one side, there was a door. I wondered whither it led, but found it locked. At the moment James approached from the stables. ‘Where does this door lead?’ I asked him. ‘I will get the key,’ he answered. ‘It is rather a queer old place. We used to like it when we were children.’ ‘There’s a stair, you see,’ he said, as he threw the door open. ‘It leads up over the kitchen.’ I followed him up the stair. ‘There’s a door into your room,’ he said, ‘but it’s always locked now.—And here’s Grannie’s room, as they call it, though why, I have not the least idea,’ he added, as he pushed open the door of an old-fashioned parlour, smelling very musty. A few old books lay on a side table. A china bowl stood beside them, with some shrivelled, scentless rose-leaves in the bottom of it. The cloth that covered the table was riddled by moths, and the spider-legged chairs were covered with dust.
“A conviction seized me that the old bureau must have belonged to this room, and I soon found the place where I judged it must have stood. But the same moment I caught sight of a portrait on the wall above the spot I had fixed upon. ‘By Jove!’ I cried, involuntarily, ‘that’s the very old lady I met in Russell Square!’
“ ‘Nonsense!’ said James. ‘Old-fashioned ladies are like babies—they all look the same. That’s a very old portrait.’
“ ‘So I see,’ I answered. ‘It is like a Zucchero.’
“ ‘I don’t know whose it is,’ he answered hurriedly, and I thought he looked a little queer.