“But if we cannot imagine Madame Rogêt privy to the design of elopement, may we not at least suppose this design entertained by the girl? Upon quitting home, she gave it to be understood that she was about to visit her aunt in the Rue des Drômes and St. Eustache was requested to call for her at dark. Now, at first glance, this fact strongly militates against my suggestion;—but let us reflect. That she did meet some companion, and proceed with him across the river, reaching the Barrière du Roule at so late an hour as three o’clock in the afternoon, is known. But in consenting so to accompany this individual, ( for whatever purpose—to her mother known or unknown, ) she must have thought of her expressed intention when leaving home, and of the surprise and suspicion aroused in the bosom of her affianced suitor, St. Eustache, when, calling for her, at the hour appointed, in the Rue des Drômes, he should find that she had not been there, and when, moreover, upon returning to the pension with this alarming intelligence, he should become aware of her continued absence from home. She must have thought of these things, I say. She must have foreseen the chagrin of St. Eustache, the suspicion of all. She could not have thought of returning to brave this suspicion; but the suspicion becomes a point of trivial importance to her, if we suppose her not intending to return.
“We may imagine her thinking thus—‘I am to meet a certain person for the purpose of elopement, or for certain other purposes known only to myself. It is necessary that there be no chance of interruption—there must be sufficient time given us to elude pursuit—I will give it to be understood that I shall visit and spend the day with my aunt at the Rue