From the willow walk projected a slight wooden pier ending in a sort of pagoda-like summerhouse; and in the pagoda a lady stood, leaning against the rail, her back to the shore. Archer stopped at the sight as if he had waked from sleep. That vision of the past was a dream, and the reality was what awaited him in the house on the bank overhead: was Mrs. Welland’s pony-carriage circling around and around the oval at the door, was May sitting under the shameless Olympians and glowing with secret hopes, was the Welland villa at the far end of Bellevue Avenue, and Mr. Welland, already dressed for dinner, and pacing the drawing-room floor, watch in hand, with dyspeptic impatience—for it was one of the houses in which one always knew exactly what is happening at a given hour.
“What am I? A son-in-law—” Archer thought.
The figure at the end of the pier had not moved. For a long moment the young man stood halfway down the bank, gazing at the bay furrowed with the coming and going of sailboats, yacht-launches, fishing-craft and the trailing black coal-barges hauled by noisy tugs. The lady in the summerhouse seemed to be held by the same sight. Beyond the grey bastions of Fort Adams a long-drawn sunset was splintering up into a thousand fires, and the radiance caught the sail of a catboat as it beat out through the channel between the Lime Rock and the shore. Archer, as he watched, remembered the scene in The Shaughraun , and Montague lifting Ada Dyas’s ribbon to his lips without her knowing that he was in the room.
“She doesn’t know—she hasn’t guessed. Shouldn’t I know if she came up behind me, I wonder?” he mused; and suddenly he said to himself: “If she doesn’t turn before that sail crosses the Lime Rock light I’ll go back.”