“Perhaps they prefer painting that kind, but I don’t see why they should invite five, with three more young gentlemen, and all get into two cabs and drive away singing. This street,” she continued, “is dull. There is nothing to see except the garden and a glimpse of the Boulevard Montparnasse through the Rue de la Grande Chaumière. No one ever passes except a policeman. There is a convent on the corner.”
“I thought it was a Jesuit College,” began Hastings, but was at once overwhelmed with a Baedecker description of the place, ending with, “On one side stand the palatial hotels of Jean Paul Laurens and Guillaume Bouguereau, and opposite, in the little Passage Stanislas, Carolus Duran paints the masterpieces which charm the world.”
The blackbird burst into a ripple of golden throaty notes, and from some distant green spot in the city an unknown wild-bird answered with a frenzy of liquid trills until the sparrows paused in their ablutions to look up with restless chirps.
Then a butterfly came and sat on a cluster of heliotrope and waved his crimson-banded wings in the hot sunshine. Hastings knew him for a friend, and before his eyes there came a vision of tall mulleins and scented milkweed alive with painted wings, a vision of a white house and woodbine-covered piazza—a glimpse of a man reading and a woman leaning over the pansy bed—and his heart was full. He was startled a moment later by Miss Byng.
“I believe you are homesick!” Hastings blushed. Miss Byng looked at him with a sympathetic sigh and continued: “Whenever I felt homesick at first I used to go with mamma and walk in the Luxembourg Gardens. I don’t know why it is, but those old-fashioned gardens seemed to bring me nearer home than anything in this artificial city.”
“But they are full of marble statues,” said Mrs. Byng mildly; “I don’t see the resemblance myself.”