desk in the corner?”
“ Mr. Inglethorp’s.”
“Ah!” He tried the roll top tentatively. “Locked. But perhaps one of Mrs. Inglethorp’s keys would open it.” He tried several, twisting and turning them with a practiced hand, and finally uttering an ejaculation of satisfaction. “ Voilà! It is not the key, but it will open it at a pinch.” He slid back the roll top, and ran a rapid eye over the neatly filed papers. To my surprise, he did not examine them, merely remarking approvingly as he relocked the desk: “Decidedly, he is a man of method, this Mr. Inglethorp!”
A “man of method” was, in Poirot’s estimation, the highest praise that could be bestowed on any individual.
I felt that my friend was not what he had been as he rambled on disconnectedly:
“There were no stamps in his desk, but there might have been, eh, mon ami ? There might have been? Yes”—his eyes wandered round the room—“this boudoir has nothing more to tell us. It did not yield much. Only this.”
He pulled a crumpled envelope out of his pocket, and tossed it over to me. It was rather a curious document. A plain, dirty looking old envelope with a few words scrawled across it, apparently at random. The following is a facsimile of it.