Mauclair was the gasman, who dispensed day and night at will on the stage of the Opera.
“Mauclair is not to be found!” repeated Mercier, taken aback. “Well, what about his assistants?”
“There’s no Mauclair and no assistants! No one at the lights, I tell you! You can imagine,” roared the stage-manager, “that that little girl must have been carried off by somebody else: she didn’t run away by herself! It was a calculated stroke and we have to find out about it. … And what are the managers doing all this time? … I gave orders that no one was to go down to the lights and I posted a fireman in front of the gasman’s box beside the organ. Wasn’t that right?”
“Yes, yes, quite right, quite right. And now let’s wait for the commissary.”
The stage-manager walked away, shrugging his shoulders, fuming, muttering insults at those milksops who remained quietly squatting in a corner while the whole theater was topsy-turvy.
Gabriel and Mercier were not so quiet as all that. Only they had received an order that paralyzed them. The managers were not to be disturbed on any account. Rémy had violated that order and met with no success.
At that moment he returned from his new expedition, wearing a curiously startled air.
“Well, have you seen them?” asked Mercier.
“Moncharmin opened the door at last. His eyes were starting out of his head. I thought he meant to strike me. I could not get a word in; and what do you think he shouted at me? ‘Have you a safety-pin?’ ‘No!’ ‘Well, then, clear out!’ I tried to tell him that an unheard-of thing had happened on the stage, but he roared, ‘A safety-pin! Give me a safety-pin