“I don’t want it,” she declared. “And besides, I haven’t room for it in my trunks.”
Of a sudden she leaned down and whispered to Zora:
‚ÄúZora, hide it and keep it if you want it. Come,‚Äù to the dressmaker, ‚ÄúI‚Äôm dying to try this on‚ÅÝ‚Äînow.‚ÅÝ‚Ää‚Å݂Ķ Remember, Zora‚ÅÝ‚Äînot a word.‚Äù
And all this to Zora seemed no surprise; it was the Way, and it was opening before her because the talisman lay in her trunk.
So at last it came to Easter morning.
The world was golden with jasmine, and crimson with azalea; down in the darker places gleamed the misty glory of the dogwood; new cotton shook, glimmered, and blossomed in the black fields, and over all the soft Southern sun poured its awakening light of life.
There was happiness and hope again in the cabins, and hope and‚ÅÝ‚Äîif not happiness, ambition, in the mansions.
Zora, almost forgetting the wedding, stood before the mirror. Laying aside her dress, she draped her shimmering cloth about her, dragging her hair down in a heavy mass over ears and neck until she seemed herself a bride.
And as she stood there, awed with the mystical union of a dead love and a living new born self, there came drifting in at the window, faintly, the soft sound of far-off marriage music.
“ ’Tis thy marriage morning, shining in the sun!”
Two white and white-swathed brides were coming slowly down the great staircase of Cresswell Oaks, and two white and black-clothed bridegrooms awaited them.