the desertion, and the stillness. In some places plunderers had been at work, but rarely at other than the provision and wine shops. A jeweller’s window had been broken open in one place, but apparently the thief had been disturbed, and a number of gold chains and a watch lay scattered on the pavement. I did not trouble to touch them. Farther on was a tattered woman in a heap on a doorstep; the hand that hung over her knee was gashed and bled down her rusty brown dress, and a smashed magnum of champagne formed a pool across the pavement. She seemed asleep, but she was dead.
The farther I penetrated into London, the profounder grew the stillness. But it was not so much the stillness of death—it was the stillness of suspense, of expectation. At any time the destruction that had already singed the northwestern borders of the metropolis, and had annihilated Ealing and Kilburn, might strike among these houses and leave them smoking ruins. It was a city condemned and derelict. …
In South Kensington the streets were clear of dead and of black powder. It was near South Kensington that I first heard the howling. It crept almost imperceptibly upon my senses. It was a sobbing alternation of two notes, “Ulla, ulla, ulla, ulla,” keeping on perpetually. When I passed streets that ran northward it grew in volume, and houses and buildings seemed to deaden and cut it off again. It came in a full tide down Exhibition Road. I stopped, staring towards Kensington Gardens, wondering at this strange, remote wailing. It was as if that mighty desert of houses had found a voice for its fear and solitude.
“Ulla, ulla, ulla, ulla,” wailed that superhuman note—great waves of sound sweeping down the broad, sunlit roadway, between the tall buildings on each side. I turned northwards, marvelling, towards the iron gates of Hyde Park. I had half a mind to break into the Natural History Museum and find my way up to the summits of the towers, in order to see across the park. But I decided to keep to the ground, where quick