number, in fact, which made all the others take a back seat. Stephen, in reply to a politely put query, said he didn’t but launched out into praises of Shakespeare’s songs, at least of in or about that period, the lutenist Dowland who lived in Fetter Lane near Gerard the herbalist, who anno ludendo hausi, Doulandus , an instrument he was contemplating purchasing from Mr Arnold Dolmetsch, whom Bloom did not quite recall, though the name certainly sounded familiar, for sixtyfive guineas and Farnaby and son with their dux and comes conceits and Byrd (William), who played the virginals, he said, in the Queen’s Chapel or anywhere else he found them and one Tomkins who made toys or airs and John Bull.
On the roadway which they were approaching whilst still speaking beyond the swing chain, a horse, dragging a sweeper, paced on the paven ground, brushing a long swathe of mire up so that with the noise Bloom was not perfectly certain whether he had caught aright the allusion to sixtyfive guineas and John Bull. He inquired if it was John Bull the political celebrity of that ilk, as it struck him, the two identical names, as a striking coincidence.
By the chains, the horse slowly swerved to turn, which perceiving, Bloom, who was keeping a sharp lookout as usual plucked the other’s sleeve gently, jocosely remarking:
―Our lives are in peril to night. Beware of the steamroller.
They thereupon stopped. Bloom looked at the head