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A man passes a day in early twentieth-century Dublin, in a journey patterned on Homer’s Odyssey.

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Chapter 16

―What’s this I was saying? Ah, yes! My wife, he intimated, plunging in medias res , would have the greatest of pleasure in making your acquaintance as she is passionately attached to music of any kind.

He looked sideways in a friendly fashion at the sideface of Stephen, image of his mother, which was not quite the same as the usual blackguard type they unquestionably had an indubitable hankering after as he was perhaps not that way built.

Still, supposing he had his father’s gift, as he more than suspected, it opened up new vistas in his mind, such as Lady Fingall’s Irish industries concert on the preceding Monday, and aristocracy in general.

Exquisite variations he was now describing on an air Youth here has End by Jans Pieter Sweelinck, a Dutchman of Amsterdam where the frows come from. Even more he liked an old German song of Johannes Jeep about the clear sea and the voices of sirens, sweet murderers of men, which boggled Bloom a bit:

Von der Sirenen Listigkeit Tun die Poeten dichten.

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