Making his way through the tainted crowd, dispersed up and down this hideous scene of action, with the skill of a man accustomed to make his way quietly, the messenger found out the door he sought, and handed in his letter through a trap in it. For, people then paid to see the play at the Old Bailey, just as they paid to see the play in Bedlam⁠—only the former entertainment was much the dearer. Therefore, all the Old Bailey doors were well guarded⁠—except, indeed, the social doors by which the criminals got there, and those were always left wide open.

After some delay and demur, the door grudgingly turned on its hinges a very little way, and allowed Mr. Jerry Cruncher to squeeze himself into court.

“What’s on?” he asked, in a whisper, of the man he found himself next to.

“Nothing yet.”

“What’s coming on?”