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nydus/Aspects of the NovelPublic
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IV

book his mistress seems to be cut out of the same simple material as her dog. Lady Bertram’s formula is, “I am kindly, but must not be fatigued,” and she functions out of it. But at the end there is a catastrophe. Her two daughters come to grief⁠—to the worst grief known to Miss Austen’s universe, far worse than the Napoleonic wars. Julia elopes; Maria, who is unhappily married, runs off with a lover. What is Lady Bertram’s reaction? The sentence describing it is significant: “Lady Bertram did not think deeply, but, guided by Sir Thomas, she thought justly on all important points, and she saw therefore in all its enormity, what had happened, and neither endeavoured herself, nor required Fanny to advise her, to think little of guilt and infamy.” These are strong words, and they used to worry me because I thought Jane Austen’s moral sense was getting out of hand. She may, and of course does, deprecate guilt and infamy herself, and she duly causes all possible distress in the minds of Edmund and Fanny, but has she any right to agitate calm, consistent Lady Bertram? Is not it like giving pug three faces and setting him to guard the gates of Hell? Ought not her ladyship to remain on the sofa saying, “This is a dreadful and sadly exhausting business about Julia and Maria, but where is Fanny gone? I have dropped another stitch”?

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