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nydus/At the Mountains of MadnessPublic

An Antarctic expedition reveals the horrifying reality of ancient myths in the depths of the continent.

Page 75 of 156
Table of Contents

V

We crawled through one of the windows and vainly tried to decipher the nearly effaced mural designs, but did not attempt to disturb the glaciated floor. Our orientation flights had indicated that many buildings in the city proper were less ice-choked, and that we might perhaps find wholly clear interiors leading down to the true ground level if we entered those structures still roofed at the top.

Before we left the rampart we photographed it carefully, and studied its mortarless Cyclopean masonry with complete bewilderment. We wished that Pabodie were present, for his engineering knowledge might have helped us guess how such titanic blocks could have been handled in that unbelievably remote age when the city and its outskirts were built up.

The half-mile walk downhill to the actual city, with the upper wind shrieking vainly and savagely through the skyward peaks in the background, was something of which the smallest details will always remain engraved on my mind. Only in fantastic nightmares could any human beings but Danforth and me conceive such optical effects.

Between us and the churning vapors of the west lay that monstrous tangle of dark stone towers, its outré and incredible forms impressing us afresh at every new angle of vision. It was a mirage in solid stone, and were it not for the photographs I would still doubt that such a thing could be. The general type of masonry was identical with that of the rampart we had examined; but the extravagant shapes which this masonry took in its urban manifestations were past all description.

Even the pictures illustrate only one or two phases of its endless variety, preternatural massiveness, and utterly alien exoticism. There were geometrical forms for which an Euclid could scarcely find a name⁠—cones of all degrees of irregularity and truncation, terraces of every sort of provocative disproportion, shafts with odd bulbous enlargements, broken columns in curious groups, and five-pointed or five-ridged arrangements of mad grotesqueness.

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