He had often thought of calling on Madame Forestier, but the recollection of their last meeting checked and humiliated him; and besides, he was awaiting an invitation to do so from her husband. Then the recollection of Madame de Marelle occurred to him, and recalling that she had asked him to come and see her, he called one afternoon when he had nothing to do.
“I am always at home till three o’clock,” she had said.
He rang at the bell of her residence, a fourth floor in the Rue de Verneuil, at half-past two.
At the sound of the bell a servant opened the door, an untidy girl, who tied her cap strings as she replied: “Yes, Madame is at home, but I don’t know whether she is up.”
And she pushed open the drawing-room door, which was ajar. Duroy went in. The room was fairly large, scantily furnished and neglected looking. The chairs, worn and old, were arranged along the walls, as placed by the servant, for there was nothing to reveal the tasty care of the woman who loves her home. Four indifferent pictures, representing a boat on a stream, a ship at sea, a mill on a plain, and a woodcutter in a wood, hung in the center of the four walls by cords of unequal length, and all four on one side. It could be divined that they had been dangling thus askew ever so long before indifferent eyes.
Duroy sat down immediately. He waited a long time. Then a door opened, and Madame de Marelle hastened in, wearing a Japanese morning gown of rose-colored silk embroidered with yellow landscapes, blue flowers, and white birds.
“Fancy! I was still in bed!” she exclaimed. “How good of you to come and see me! I had made up my mind that you had forgotten me.”