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A former soldier seduces and manipulates women in order to rise through Parisian society.

Page 336 of 405
Table of Contents

XV

The conquest of Morocco had been accomplished two months back. France, mistress of Tangiers, held the whole of the African shore of the Mediterranean as far as Tripoli, and had guaranteed the debt of the newly annexed territory. It was said that two ministers had gained a score of millions over the business, and Laroche-Mathieu was almost openly named. As to Walter, no one in Paris was ignorant of the fact that he had brought down two birds with one stone, and made thirty or forty millions out of the loan and eight to ten millions out of the copper and iron mines, as well as out of a large stretch of territory bought for almost nothing prior to the conquest, and sold after the French occupation to companies formed to promote colonization. He had become in a few days one of the lords of creation, one of those omnipotent financiers more powerful than monarchs who cause heads to bow, mouths to stammer, and all that is base, cowardly, and envious, to well up from the depths of the human heart. He was no longer the Jew Walter, head of a shady bank, manager of a fishy paper, deputy suspected of illicit jobbery. He was Monsieur Walter, the wealthy Israelite.

He wished to show himself off. Aware of the monetary embarrassments of the Prince de Carlsbourg, who owned one of the finest mansions in the Rue de Faubourg, Saint Honoré, with a garden giving onto the Champs Élysées, he proposed to him to buy house and furniture, without shifting a stick, within twenty-four hours. He offered three millions, and the prince, tempted by the amount, accepted. The following day Walter installed himself in his new domicile. Then he had another idea, the idea of a conqueror who wishes to conquer Paris, the idea of a Bonaparte. The whole city was flocking at that moment to see a great painting by the Hungarian artist, Karl Marcowitch, exhibited at a dealer’s named Jacques Lenoble, and representing Christ walking on the

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