He replied gayly: “Yes, it is I, Mother Brulin,” and kissed her as he had kissed his father and mother. Then turning to his wife, he said: “Come into our room and take your hat off.”
He ushered her through a door to the right into a cold-looking room with tiled floor, whitewashed walls, and a bed with white cotton curtains. A crucifix above a holy-water stoup, and two colored pictures, one representing Paul and Virginia under a blue palm tree, and the other Napoleon the First on a yellow horse, were the only ornaments of this clean and dispiriting apartment.
As soon as they were alone he kissed Madeleine, saying: “Thanks, Made. I am glad to see the old folks again. When one is in Paris one does not think about it; but when one meets again, it gives one pleasure all the same.”
But his father, thumbing the partition with his fist, cried out: “Come along, come along, the soup is ready,” and they had to sit down to table.
It was a long, countrified repast, with a succession of ill-assorted dishes, a sausage after a leg of mutton, and an omelette after a sausage. Father Duroy, excited by cider and some glasses of wine, turned on the tap of his choicest jokes—those he reserved for great occasions of festivity, smutty adventures that had happened, as he maintained, to friends of his. George, who knew all these stories, laughed, nevertheless, intoxicated by his native air, seized on by the innate love of one’s birthplace and of spots familiar from childhood, by all the sensations and recollections once more renewed, by all the objects of yore seen again once more; by trifles, such as the mark of a knife on a door, a broken chair recalling some pretty event, the smell of the soil, the breath of the neighboring forest, the odors of the dwelling, the gutter, the dunghill.
Mother Duroy did not speak, but remained sad and grim, watching her daughter-in-law out of the corner of her eye, with hatred awakened in