her heart—the hatred of an old toiler, an old rustic with fingers worn and limbs bent by hard work—for the city madame, who inspired her with the repulsion of an accursed creature, an impure being, created for idleness and sin. She kept getting up every moment to fetch the dishes or fill the glasses with cider, sharp and yellow from the decanter, or sweet, red, and frothing from the bottles, the corks of which popped like those of ginger beer.
Madeleine scarcely ate or spoke. She wore her wonted smile upon her lips, but it was a sad and resigned one. She was downcast. Why? She had wanted to come. She had not been unaware that she was going among country folk—poor country folk. What had she fancied them to be—she, who did not usually dream? Did she know herself? Do not women always hope for something that is not? Had she fancied them more poetical? No; but perhaps better informed, more noble, more affectionate, more ornamental. Yet she did not want them high-bred, like those in novels. Whence came it, then, that they shocked her by a thousand trifling, imperceptible details, by