steady. His bed was fortunately placed for his purpose—directly in line with one of the windows, the connecting door, and the girl’s bed. In an old bond-box in his closet—and nobody but he had ever seen the things in that box—was a revolver; a revolver that could not possibly be traced to him.
On the first night, he had taken this gun out, stepped back from his bed a little, and fired a bullet into the doorframe. Then he had jumped back into bed, concealing the gun under the blankets—where none thought to look for—it until he could return it to its box.
That was all the preparation he had needed. He had established an attempted murder directed against himself; and he had shown that a bullet fired at him could easily go near—and therefore through—the connecting doorway.
On the second night, he had waited until the house had seemed quiet. Then he had peeped through one of the cracks in the Japanese screen at the girl, whom he could see in the reflected light from the moon. He had found, though, that when he stepped far enough back from the screen for it to escape powder marks, he could not see the girl, not while she was lying down. So he had fired first into the doorframe—near the previous night’s bullet—to awaken her.
She had sat up in bed immediately, screaming, and he had shot her. He had intended firing another shot into her body—to make sure of her death—but my approach had made that impossible, and had made concealment of the gun impossible; so, with what strength he had left, he had thrown the revolver out of the window.
He died that afternoon, and I returned to San Francisco.
But that was not quite the end of the story.