It started in Boston, back in 1917. I ran into Lew Maher on the Tremont Street sidewalk of the Touraine Hotel one afternoon, and we stopped to swap a few minutes’ gossip in the snow.
I was telling him something or other when he cut in with:
“Sneak a look at this kid coming up the street. The one with the dark cap.”
Looking, I saw a gangling youth of eighteen or so; pasty and pimply face, sullen mouth, dull hazel eyes, thick, shapeless nose. He passed the city sleuth and me without attention, and I noticed his ears. They weren’t the battered ears of a pug, and they weren’t conspicuously deformed, but their rims curved in and out in a peculiar crinkled fashion.
At the corner he went out of sight, turning down Boylston Street toward Washington.
“There’s a lad that will make a name for hisself if he ain’t nabbed or rocked off too soon,” Lew predicted. “Better put him on your list. The Whosis Kid. You’ll be looking for him some one of these days.”
“What’s his racket?”
“Stickup, gunman. He’s got the makings of a good one. He can shoot, and he’s plain crazy. He ain’t hampered by nothing like imagination or fear of consequences. I wish he was. It’s these careful, sensible birds that are easiest caught. I’d swear the Kid was in on a coupla jobs that were turned in Brookline last month. But I can’t fit him to ’em. I’m going to clamp him some day, though—and that’s a promise.”