We stepped back as if it was no trouble at all. I found my shoulder against one of the window curtains. I pressed it against the frame, and turned far enough to drag the curtain clear of a foot or more of pane.
If the Whosis Kid was watching, he should have had a clear view of the Frenchman—the man who had shot at him earlier in the evening. I was putting it up to the Kid. The corridor door was unlocked. If the Kid could get into the building—no great trick—he had a clear path. I didn’t know where he fit in, but I wanted him to join us, and I hoped he wouldn’t disappoint me. If everybody got together here, maybe whatever was going on would come out where I could see it and understand it.
Meanwhile, I kept as much of myself as possible out of the window. The Kid might decide to throw lead from across the alley.
Maurois was facing Inés. Big Chin’s guns were on Billie and me.
“I do not comprends ze anglais ver’ good,” the Frenchman was mocking the woman. “So it is when you say you meet wit’ me, I t’ink you say in New Orleans. I do not know you say San Francisc’. I am ver’ sorry to make ze mistake. I am mos’ sorry zat I keep you wait. But now I am here. You have ze share for me?”
“I have not.” She held her hands out in an empty gesture. “The Kid took those—everything from me.”
“What?” Maurois dropped his taunting smile and his vaudeville accent. His one open eye flashed angrily. “How could he, unless—?”
“He suspected us, Edouard.” Her mouth trembled with earnestness. Her eyes pleaded for belief. She was lying. “He had me followed. The day after I am there he comes. He takes all. I am afraid to wait for you. I fear your unbelief. You would not—”
“ C’est incroyable! ” Maurois was very excited over it. “I was on the first train south after our—our theatricals. Could the Kid have been on that