So much for the father. For the daughter—this young woman who was coolly studying me as I sat down across the table from her: she had been ten-year-old Ai Ho, a very Chinese little girl, when her father had brought her to California. All that was Oriental of her now were the features I have mentioned and the money her father had left her. Her name, translated into English, had become Water Lily, and then, by another step, Lillian. It was as Lillian Shan that she had attended an eastern university, acquired several degrees, won a tennis championship of some sort in 1919, and published a book on the nature and significance of fetishes, whatever all that is or are.
Since her father’s death, in 1921, she had lived with her four Chinese servants in the house on the shore, where she had written her first book and was now at work on another. A couple of weeks ago, she had found herself stumped, so she said—had run into a blind alley. There was, she said, a certain old cabalistic manuscript in the Arsenal Library in Paris that she believed would solve her troubles for her. So she had packed some clothes and, accompanied by her maid, a Chinese woman named Wang Ma, had taken a train for New York, leaving the three other servants to take care of the house during her absence. The decision to go to France for a look at the manuscript had been formed one morning—she was on the train before dark.
On the train between Chicago and New York, the key to the problem that had puzzled her suddenly popped into her head. Without pausing even for a night’s rest in New York, she had turned around and headed back for San Francisco. At the ferry here she had tried to telephone her chauffeur to bring a car for her. No answer. A taxicab had carried her and her maid to her house. She rang the doorbell to no effect.
When her key was in the lock the door had been suddenly opened by a young Chinese man—a stranger to her. He had refused her admittance until she told him who she was. He mumbled an unintelligible explanation as she and the maid went into the hall.