is infinitely inferior to art, which, in its turn, is peculiarly concerned also with general types and general situations, but which incarnates them by an artifice of its own in forms which, if they are not living in the sense of real life, none the less excite in our imagination the memory and sentiment of life; art in a certain sense individualizes the types and situations which it conceives; by means of the individualities without flesh and bone, and consequently permanent and immortal, which it has the power to create, it recalls to our minds the living, real individualities which appear and disappear under our eyes. Art, then, is as it were the return of abstraction to life; science, on the contrary, is the perpetual immolation of life, fugitive, temporary, but real, on the altar of eternal abstractions.
Science is as incapable of grasping the individuality of a man as that of a rabbit, being equally indifferent to both. Not that it is ignorant of the principle of individuality: it conceives it perfectly as a principle, but not as a fact. It knows very well that all the animal species, including the human species, have no real existence outside of an indefinite number of individuals, born and dying to make room for new individuals equally fugitive. It knows that in rising from the animal species to the superior species the principle of individuality becomes more pronounced; the individuals appear freer and more complete. It knows that man, the last and most perfect animal of earth, presents the most complete and most remarkable individuality, because of his power to conceive, concrete, personify, as it were, in his social and private existence, the universal law. It knows, finally, when it is not vitiated by theological or metaphysical, political or judicial doctrinairisme, or