among which was the smaller force, unsupported by the neutrality of half the city, as at Cholula, and without allies close at hand. The gathering of so many nobles and military leaders in connection with the war-god celebration provided the opportunity desired, since this would permit the blow to be directed against those who were looked on as the promoters of the revolt; and deprived of their leaders the people would be likely to abandon any further attempt. This plan met with general approval.24
The hour25 having arrived for the visit to the temple,26 Alvarado selects half the force to accompany him,27 and proceeds thither, armed with more than usual care. Upon those who remain in charge of the fort, says Tapia, devolves the safer, though even more cruel task of slaughtering the greater part of the courtiers and attendants,28 who have this day presented themselves in larger numbers than usual.
The Spaniards with their Tlascaltec followers are welcomed at the sanctuary with great demonstrations by the unsuspecting nobles, who see nothing to apprehend in the gleaming arms, since the Spaniards never go forth without weapons. We must remember it is a gala day, and the court presents a magnificent scene with its festive decking of garlands, festoons, and drapery, and its gayly attired audience. A procession of plumed priests and pages march by with swinging censers, chanting weird music before the hideous idols. Behind comes a file of nuns and novices, with red feathers and painted faces, surmounted by garlands of toasted maize, and bearing in their hands flags with black bars. Hidden musicians strike, and the dance begins. Joining the priests, the consecrated women and the tyros whirl round a large brazier, while two shield-bearers with blackened faces direct their motions. A conspicuous figure is the ixteocale, the living representative of the god, for whom he is fated to die, like the more prominent proxy of Tezcatlipoca. Dressed like a warrior ready for the fray, and prepared to lead in the chief dances as is his duty, he seems to impersonate the omen of evil which hovers over the scene.