He nodded and held the lamp above his head. As the light swept them, there leaped out from the walls a collection of Tibetan devil-dance masks, hanging above the fiend-embroidered draperies of those ghastly functions—horned masks, scowling masks, and masks of idiotic terror. In a corner, a Japanese warrior, mailed and plumed, menaced him with a halberd, and a score of lances and khandas and kuttars gave back the unsteady gleam. But what interested Kim more than all these things—he had seen devil-dance masks at the Lahore Museum—was a glimpse of the soft-eyed Hindu child who had left him in the doorway, sitting cross-legged under the table of pearls with a little smile on his scarlet lips.
“I think that Lurgan Sahib wishes to make me afraid. And I am sure that that devil’s brat below the table wishes to see me afraid.
“This place,” he said aloud, “is like a Wonder House. Where is my bed?”
Lurgan Sahib pointed to a native quilt in a corner by the loathsome masks, picked up the lamp, and left the room black.
“Was that Lurgan Sahib?” Kim asked as he cuddled down. No answer. He could hear the Hindu boy breathing, however, and, guided by the sound, crawled across the floor, and cuffed into the darkness, crying: “Give answer, devil! Is this the way to lie to a Sahib?”
From the darkness he fancied he could hear the echo of a chuckle. It could not be his soft-fleshed companion, because he was weeping. So Kim lifted up his voice and called aloud:
“Lurgan Sahib! O Lurgan Sahib! Is it an order that thy servant does not speak to me?”
“It is an order.” The voice came from behind him and he started.
“Very good. But remember,” he muttered, as he resought the quilt, “I will beat thee in the morning. I do not love Hindus.”