“Then be gay,” resumed Blachevelle.
“I agree to that,” responded Tholomyès.
And, refilling his glass, he rose.
“Glory to wine! Nunc te, Bacche, canam! Pardon me ladies; that is Spanish. And the proof of it, señoras, is this: like people, like cask. The arrobe of Castille contains sixteen litres; the cantaro of Alicante, twelve; the almude of the Canaries, twenty-five; the cuartin of the Balearic Isles, twenty-six; the boot of Tzar Peter, thirty. Long live that Tzar who was great, and long live his boot, which was still greater! Ladies, take the advice of a friend; make a mistake in your neighbor if you see fit. The property of love is to err. A love affair is not made to crouch down and brutalize itself like an English serving-maid who has callouses on her knees from scrubbing. It is not made for that; it errs gayly, our gentle love. It has been said, error is human; I say, error is love. Ladies, I idolize you all. O Zéphine, O Joséphine, face more than irregular, you would be charming were you not all askew. You have the air of a pretty face upon which someone has sat down by mistake. As for Favorite, O nymphs and muses! One day when Blachevelle was crossing the gutter in the Rue Guérin-Boisseau, he espied a beautiful girl with white stockings well drawn up, which displayed her legs. This prologue pleased him, and Blachevelle fell in love. The one he loved was Favorite. O Favorite, thou hast Ionian lips. There was a Greek painter named Euphorion, who was surnamed the painter of the lips. That Greek alone would have been worthy to paint thy mouth. Listen! Before thee, there was never a creature worthy of the name. Thou wert made to receive the apple like Venus, or to eat it like Eve; beauty begins with thee. I have just referred to Eve; it is thou who hast created her. Thou deservest the letters-patent of the beautiful woman. O Favorite, I cease to address you as ‘thou,’ because I pass from poetry to prose. You were speaking of my name a little while ago. That touched me; but let us, whoever we may be, distrust