The children loved him because he knew how to make charming little trifles of straw and coconuts.
When he saw the door of a church hung in black, he entered: he sought out funerals as other men seek christenings. Widowhood and the grief of others attracted him, because of his great gentleness; he mingled with the friends clad in mourning, with families dressed in black, with the priests groaning around a coffin. He seemed to like to give to his thoughts for text these funereal psalmodies filled with the vision of the other world. With his eyes fixed on heaven, he listened with a sort of aspiration towards all the mysteries of the infinite, those sad voices which sing on the verge of the obscure abyss of death.
He performed a multitude of good actions, concealing his agency in them as a man conceals himself because of evil actions. He penetrated houses privately, at night; he ascended staircases furtively. A poor wretch on returning to his attic would find that his door had been opened, sometimes even forced, during his absence. The poor man made a clamor over it: some malefactor had been there! He entered, and the first thing he beheld was a piece of gold lying forgotten on some piece of furniture. The “malefactor” who had been there was Father Madeleine.
He was affable and sad. The people said: “There is a rich man who has not a haughty air. There is a happy man who has not a contented air.”
Some people maintained that he was a mysterious person, and that no one ever entered his chamber, which was a regular anchorite’s cell, furnished with winged hourglasses and enlivened by crossbones and skulls of dead men! This was much talked of, so that one of the elegant and malicious young women of Montreuil-sur-Mer came to him one day, and asked: “Monsieur le Maire, pray show us your chamber. It is said to be a grotto.” He smiled, and introduced them instantly into this “grotto.” They were well punished for their curiosity. The room was very