hours, past the livid face of a human being who is engaged in reflection, and look behind, gaze into that soul, gaze into that obscurity. There, beneath that external silence, battles of giants, like those recorded in Homer, are in progress; skirmishes of dragons and hydras and swarms of phantoms, as in Milton; visionary circles, as in Dante. What a solemn thing is this infinity which every man bears within him, and which he measures with despair against the caprices of his brain and the actions of his life!
Alighieri one day met with a sinister-looking door, before which he hesitated. Here is one before us, upon whose threshold we hesitate. Let us enter, nevertheless.
We have but little to add to what the reader already knows of what had happened to Jean Valjean after the adventure with Little Gervais. From that moment forth he was, as we have seen, a totally different man. What the Bishop had wished to make of him, that he carried out. It was more than a transformation; it was a transfiguration.
He succeeded in disappearing, sold the Bishop’s silver, reserving only the candlesticks as a souvenir, crept from town to town, traversed France, came to Montreuil-sur-Mer, conceived the idea which we have mentioned, accomplished what we have related, succeeded in rendering himself safe from seizure and inaccessible, and, thenceforth, established at Montreuil-sur-Mer, happy in feeling his conscience saddened by the past and the first half of his existence belied by the last, he lived in peace, reassured and hopeful, having henceforth only two thoughts—to conceal his name and to sanctify his life; to escape men and to return to God.
These two thoughts were so closely intertwined in his mind that they formed but a single one there; both were equally absorbing and imperative and ruled his slightest actions. In general, they conspired to regulate the conduct of his life; they turned him towards the gloom; they