In all matters of art he was inclined to laugh at professed critics, and say that their opinions were formed by fashion. Thus in painting, he would say how in his day every one admired masters who are now neglected. His love of pictures as a young man is almost a proof that he must have had an appreciation of a portrait as a work of art, not as a likeness. Yet he often talked laughingly of the small worth of portraits, and said that a photograph was worth any number of pictures, as if he were blind to the artistic quality in a painted portrait. But this was generally said in his attempts to persuade us to give up the idea of having his portrait painted, an operation very irksome to him.
This way of looking at himself as an ignoramus in all matters of art, was strengthened by the absence of pretence, which was part of his character. With regard to questions of taste, as well as to more serious things, he always had the courage of his opinions. I remember, however, an instance that sounds like a contradiction to this: when he was looking at the Turners in Mr. Ruskin's bedroom, he did not confess, as he did afterwards, that he could make out absolutely nothing of what Mr. Ruskin saw in them. But this little pretence