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Singing in the Village

At that moment one of the young fellows whom we were seeing off⁠—the tall one⁠—came up with long, energetic strides, and stooped to speak to the one who played the accordion.

“What a fine fellow,” I thought; “they will put him in the Guards.” I did not know who he was or what house he belonged to.

“Whose son is that one? That gallant fellow?” I asked a little old man, pointing to the fine lad.

The old man raised his cap and bowed to me, but did not hear my question.

“What did you say?” asked he.

I had not recognised him, but as soon as he spoke I knew him at once. He is a hardworking, good peasant who, as often happens, seems specially marked out for misfortune: first, two horses were stolen from him, then his house burnt down, and then his wife died. I had not seen Prokófey for a long time, and remembered him as a bright red-haired man of medium height; whereas he was now not red, but quite grey-haired, and small.

“Ah, Prokófey, it’s you!” I said. “I was asking whose son that fine fellow is⁠—that one who has just spoken to Alexander?”

“That one?” Prokófey replied, pointing with a motion of his head to the tall lad. He shook his head and mumbled something I did not understand.

“I’m asking whose son the lad is?” I repeated, and turned to look at Prokófey.

His face was puckered, and his jaw trembled.

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