“I would be an ungrateful villain if I did,” I replied with enthusiasm. “Your generosity is boundless. I will repay it by making you the father of a genius.”
Thus ended my conference with the best of men, and immediately upon its termination, I betook myself with zeal to my poetical labors; as upon these, chiefly, I founded my hopes of ultimate elevation to the editorial chair.
In my first attempts at composition I found the stanzas to “The Oil-of-Bob” rather a drawback than otherwise. Their splendor more dazzled than enlightened me. The contemplation of their excellence tended, naturally, to discourage me by comparison with my own abortions; so that for a long time I labored in vain. At length there came into my head one of those exquisitely original ideas which now and then will permeate the brain of a man of genius. It was this:—or, rather, thus was it carried into execution. From the rubbish of an old bookstall, in a very remote corner of the town, I got together several antique and altogether unknown or forgotten volumes. The bookseller sold them to me for a song. From one of these, which purported to be a translation of one Dante’s Inferno , I copied with remarkable neatness a long passage about a man named Ugolino, who had a parcel of brats. From another which contained a good many old plays by some person whose name I forget, I extracted in the same manner, and with the same care, a great number of lines about “angels” and “ministers saying grace,” and “goblins damned,” and more besides of that sort. From a third, which was the composition of some blind man or other, either a Greek or a Choctaw—I cannot be at the pains of remembering every trifle exactly—I took about fifty verses beginning with “Achilles’ wrath,” and “grease,” and something else. From a fourth, which I recollect was also the work of a blind man, I selected a page or two all about “hail” and “holy light”; and although a blind man has no business to write about light, still the verses were sufficiently good in their way.