“And here are the drinks. A toast first⁠—always a good idea. Long life and good painting, to both of us.”

Brent frowned to himself as he sipped the drink. There is a fascination about shop talk that carpenters and bank executives indulge in with equal pleasure. Brent found himself easily drawn into conversation on the merits of alizarin crimson and the influence of Byzantine art on Renaissance Italy. Yet all the time he talked a small portion of his mind was weighing the other’s words, testing and observing. But his host was everything he seemed to be⁠—a gentleman of private means with an active interest in painting.

A half hour had passed, entertaining but unenlightening, when a light rap sounded on the study door. It opened to reveal an attractive woman, tastefully dressed in a gray and silver robe of classic Greek design, the latest fashion.

She hesitated in the doorway. “I don’t mean to disturb you, Arthur, but there is⁠ ⁠… oh, excuse me, I had no idea you had a guest.”

Di Costa took her gently by the arm. “I’m very glad you did, my dear. Let me introduce the famous Brent Dalgreen.” He passed his arm around her waist. “My wife, Marie.”

Brent took her hand and smiled into her large brown eyes. She returned his greeting warmly⁠—with exactly the right amount of pressure on his hand. A loving wife, a pleasant home⁠—Arthur Di Costa was a model of the modern gentleman. The painting in the museum seemed unimportant in the face of all this normality.

For a fraction of an instant as he held her hand, his eyes were drawn to a portrait that hung next to the door.