It was only by the strongest effort of will that he prevented himself from crushing her hand. Marie was there in the portrait, her portrait.⁠ ⁠…

The same subtle transformation as the painting in the museum. Something about a twist of the mouth⁠—the haunting look in her eyes as she stared out of the picture. He tore his gaze from the painting but not before Di Costa had noticed his attention.

“It must be a strange sensation,” Di Costa laughed, “to meet both my beautiful Marie and her portrait at the same instant. But here, let me show you.” He touched the frame and a soft light bathed the painting. Brent mumbled something polite and stepped nearer, as if mere proximity would answer his questions.

Di Costa seemed flattered by his famous guest’s interest. They discussed the many problems of a painting and their happy or unhappy solution. Blushing slightly, Marie was coaxed into standing under her portrait. She pretended not to notice the dissecting artistic analysis that could be so embarrassing to the outsider. “That blue hollow in the neck helps the form⁠ ⁠…” “… the effect of the gold hair on the cheekbones⁠ ⁠…” She turned her head “just so,” and “a little more” while they talked.

Yet all during the discussion a small part of Brent’s mind was weighing and analyzing. The how of the paintings was becoming clearer although the why still escaped him. It wasn’t that there was an alienness in the figure itself, it was more as if the person were looking at something totally strange to worldly eyes.

He felt the small throb of an incipient headache as his frustrated thoughts danced dizzily inward on themselves in ever tightening circles. The mellow sound of a chime from the wall cabinet provided a welcome interruption. Di Costa excused himself and stepped out of the room⁠—leaving Brent alone with Marie. They had just seated themselves when Di Costa returned, looking as if he had received painful news.