Charles Ward was an antiquarian from infancy, no doubt gaining his taste from the venerable town around him, and from the relics of the past which filled every corner of his parent’s old mansion in Prospect Street on the crest of the hill. With the years his devotion to ancient things increased; so that history, genealogy, and the study of Colonial architecture, furniture, and craftsmanship at length crowded everything else from his sphere of interests. These tastes are important to remember in considering his madness. One would have fancied the patient literally transferred to a former age through some obscure sort of auto-hypnosis. The odd thing was that Ward seemed no longer interested in the antiquities he knew so well. He had, it appears, lost his regard for them through sheer familiarity; and all his final efforts were obviously bent toward mastering those common facts of the modern world which had been so totally and unmistakably expunged from his brain. His whole program of reading and conversation was determined by a frantic wish to imbibe such knowledge of his own life and of the ordinary practical and cultural background of the twentieth century as ought to have been his by virtue of his birth in 1902 and his education in the schools of our own time.
One must look back at Charles Ward’s earlier life as at something belonging as much to the past as the antiquities he loved so keenly.
When he was larger his famous walks began; first with his impatiently dragged nurse and then alone in dreamy meditation. One may picture him yet as he was in those days; tall, slim, and blond, with studious eyes and a slight stoop, dressed somewhat carelessly, and giving a dominant impression of harmless awkwardness rather than attractiveness.
Dr. Willett is certain that, up to this ill-omened winter of first change, Charles Ward’s antiquarianism was free from every trace of the morbid. Graveyards held for him no particular attraction beyond their quaintness and historic value, and of anything like violence or savage instinct he was utterly devoid. Then, by insidious degrees, there appeared to develop a curious sequel to one of his genealogical triumphs of the year before; when he had discovered among his maternal ancestors a certain very long-lived man named Joseph Curwen, who had come from Salem in March of 1692, and about whom a whispered series of highly peculiar and disquieting stories clustered.
Ward’s great-great-grandfather Welcome Potter had in 1785 married a certain “Ann Tillinghast, daughter to Mrs. Eliza, daughter to Capt. James Tillinghast,” of whose paternity the family had preserved no trace. Late in 1918, whilst examining a volume of original town records in manuscript, the young genealogist encountered an entry describing a legal change of name, by which in 1772 a Mrs. Eliza Curwen, widow of Joseph Curwen, resumed, along with her seven-year-old daughter Ann, her maiden name of Tillinghast; on the ground “that her Husband’s name was become a public Reproach by Reason of what was knowne after his Decease; the which confirming antient common Rumour, tho’ not to be credited by a loyall Wife till so proven as to be wholely past Doubting.” This entry came to light upon the accidental separation of two leaves which had been carefully pasted together and treated as one by a labored revision of the page numbers.
An Antecedent and a Horror