Danglars waited a moment, expecting the postilion to come and demand payment with the termination of his stage. He intended taking advantage of the opportunity to make fresh inquiries of the new conductor; but the horses were unharnessed, and others put in their places, without anyone claiming money from the traveller. Danglars, astonished, opened the door; but a strong hand pushed him back, and the carriage rolled on. The baron was completely roused.
“Eh?” he said to the postilion, “eh, mio caro? ”
This was another little piece of Italian the baron had learned from hearing his daughter sing Italian duets with Cavalcanti. But mio caro did not reply. Danglars then opened the window.
“Come, my friend,” he said, thrusting his hand through the opening, “where are we going?”
“ Dentro la testa! ” answered a solemn and imperious voice, accompanied by a menacing gesture.
Danglars thought dentro la testa meant, “Put in your head!” He was making rapid progress in Italian. He obeyed, not without some uneasiness, which, momentarily increasing, caused his mind, instead of being as unoccupied as it was when he began his journey, to fill with ideas which were very likely to keep a traveller awake, more especially one in such a situation as Danglars. His eyes acquired that quality which in the first moment of strong emotion enables them to see distinctly, and which afterwards fails from being too much taxed. Before we are alarmed, we see correctly; when we are alarmed, we see double; and when we have been alarmed, we see nothing but trouble. Danglars observed a man in a cloak galloping at the right hand of the carriage.
“Some gendarme!” he exclaimed. “Can I have been intercepted by French telegrams to the pontifical authorities?”