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nydus/The Green MummyPublic

Archibald Hope, a struggling artist, discusses his engagement to Lucy and his efforts to secure her step-father's consent. The conversation explores the couple's differing perspectives on their financial situation and the prospect of their future marriage.

Page 143 of 358
Table of Contents

CHAPTER XI. THE MANUSCRIPT

“I cannot say. But go on with the story,” she continued, with the naive curiosity of a child.

“Yes, do,” pleaded Mrs. Jasher, who was listening with all her ears.

The Peruvian meditated for a few minutes, then slipped his hand into the pocket of his coat and brought out a discolored parchment, scrawled and scribbled with odd-looking letters in purple ink somewhat faded.

“Did you ever see this before?” he asked Lucy, “or any manuscript like it?”

“No,” she answered, bending forward to examine the parchment carefully.

Don Pedro again swept an inquiring eye round the circle, but everyone denied having seen the manuscript.

“What is it?” asked Sir Frank curiously.

Don Pedro restored the manuscript to his pocket.

“It is an account of the embalming of Inca Caxas, written by his son, who was my ancestor.”

“Then you are descended from this Inca?” said Mrs. Jasher eagerly.

“I am. Had I my rights I should rule Peru. As it is, I am a poor gentleman with very little money. That,” added Don Pedro with emphasis, “is why I wish to recover the mummy of my great ancestor.”

“Is it then so valuable?” asked Archie suddenly. He was thinking of some reason why the mummy should have been stolen.

“Well, in itself it is of no great value, save to an archaeologist,” was Don Pedro's reply; “but I had better tell you the story of how it was stolen from my father.”

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